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Showing posts from September, 2023

The Bluest Eye – The Dolls

"I destroyed white baby dolls" (22) Claudia makes her hatred for all things white, (conventionally) beautiful, and Shirley Temple-esque very clear in the novel's opening section. In many ways we as readers empathize with Claudia. We, like her, hate the idea of conforming to externally imposed standards of self-valuation. No one likes (or at least no one ought to like) being told who to be. However, this negativity surrounding Claudia only breeds more of its kind within her. Claudia's hatred for Shirley Temple is born from a (well-founded and legitimate) envy of her dancing with Bojangles. She "destroyed white baby dolls" as a result of this hate. And she even expresses a desire to do the same to "little white girls" (22) and to hear their "fascinating [cries] of pain" (23). This may seem like an extreme sentiment: and it surely is. However, that does not make its examination and understanding any less legitimate. If anything, it greatly i...

The Bluest Eye – Dick and Jane

TheopeningofthisbookisfascinatinginmanywaysforexampleDickandJanearenottheprincipalcharactersofthenovelthesentencesthemselvesareverybasicandtheprogressionofthewritingtoaconvolutedandconfusingformcompletelylackingspacesandpunctuationsuchastheoneyouarereadingrightnowisdisorientingandfundamentallyunlikeanythingyouhavereadbeforewhatcouldMorrisonhavemeantbythiswhatwasherpurposeinconstructingthisjumbledblockofcharacters As you just saw, punctuation and spacing are as essential to legible writing as oxygen is to breathing. You can read without these elements and you can breathe without oxygen, but not for very long before you pass out. Toni Morrison is not the type to insert such a hazard into her writing without good reason. Therefore we are left to try and make sense not only of what these constricted words are, but what they mean. Dick, Jane, and their family are used as the tool through which the most basic and common parts of the English language have been taught to children of all races ...

Kavalier & Clay – The Golem as a Work of Art and as a Protector

Artistry is one of the first things we consider as a marker of humanity's uniqueness as a species. Cave paintings, in all their simplistic glory, are the subject of extensive study and admiration. As humanity has advanced and society has evolved, so too have the manners in which we express ourselves as well as what we attempt to express. A common way to reflect the ideas, emotions, or culture of a person or people through art is to give that art human form, in figures or statues. From the Venus figurines of the Paleolithic Era to the Renaissance and Michelangelo's David, every sculpture ever made has something to say about the person who created it and the place where it was born, so to speak. The Golem of Prague is another creation that follows this form.  The Jewish history in Europe is, unfortunately, one of persecution–as a distinct "other" in the predominantly Christian communities of Europe, they were easily isolated and scapegoated with little ability to defend...

Kavalier & Clay - Antarctica: Searching for Peace through War

Joe's Antarctic posting in Part Five is an interjection in the story which takes the theme of escape to an entirely new scale. We can apply to this section a Kornblumian maxim recited all the way back in Part One, Chapter Two: "'"Forget about what you are escaping from ...Reserve your anxiety for what you are escaping to "'" (21). What is it, then, that Joe felt so compelled to escape from that he (albeit unwittingly) traveled so many thousands of miles, and what did he hope to find there? It would be easy to believe that Joe's sole motivation for his enlistment is pure, unmitigated rage and hatred for all things German following his brother's death. Such a factor ought not to be ignored, certainly; though we must caution ourselves from oversimplification of something as complex as the human emotional psyche. Rage can blind and overpower an individual. But so can love, so can hope, so can fear so can any emotion if we let them. And even if we don...

Kavalier & Clay - Comic Books in the Novel

The Amazing Adventures of Kavalier & Clay , like most any other work of literature, can be called a work of art with little argument. Comic books, on the other hand, are more often the subject of skepticism, both from literary and artistic fields. Nevertheless, they contain critical elements of both: storytelling capabilities and avenues of expression. As a narrative device in Kavalier & Clay , comic books are used to reflect the desires of their creators. For instance, the controversial cover of " Amazing Midget Radio Comics #1" is a manifestation of Sammy and (especially) Joe's hatred of Hitler, the Nazi party, and the hate they stand for. Much later in the novel, this phenomenon can be seen in Rosa's work as a comic book artist. Her stories all focus on love, in its many different forms. Through this medium we see the attempts of Rosa's lost but ever-present love for Joe to break free from her heart.  Comic books are also intertwined with the larger sto...